The museum Chiruha spoke of was rather to the courtroom, just adjacent down one hall. One could imagine that the governor wanted some of his attendants to pass by and admire everything he had on display. The room was rather stark in structure, just like the courtroom, made up of mostly coloured concrete walls and pillars. However, there were display cases and hung portraits that made it look far from plain. There were many things on display were many things, to say the least. Someone could spend quite a bit time admiring something before discovering something else equally fascinating.
One half of the museum was dedicated to the past, mostly the governor's personal past. There was his flight suit on display, as well as his old sidearm with several medals of service on a glass display case. There were holograms and photographs of him with celebrities, included a signed shamisen from Kakita Kotone, famed classical musician. Finally, there were gifts from the Unicorn, included an old scimitar and included a
strange-looking firearm that looked more ornamental than functional. There was a furcoat from the Moto worn by a mannequin on display standing beside the firearm.
The other half of the room kept his idea for the future. It hosted a miniature model of the city, except this one had the Shiro fully remodelled to look like a Shiro of old with a few advanced touches like a greater number of communication dishes, an extended garden and a dedicated barracks. The city is grown and stretched as well, growing far past the confines of its perimeter with a production and manufacturing district. There are also several conceptual arts if future building projects, as well a proposed race track dedicated to the otori. There was even some art done of Asakaze from space, imagining a steady highway of shuttles and freigthers making their way toward the planet. The city could be seen from space, even.
Chiruha knew that objects would speak for themselves and stood to the side as the Yasuki came to his own conclusion.